Tuesday, February 8, 2011

Annenome Lighting Requirements

Paul Weston and anger. Beginning with In Treatment

absence of further analysis that will arrive at the conclusion of the first season, I can not fail to mention the love-hate relationship I have with Paul Weston, the therapist protagonist of In Treatment . An interesting post Javier Gómez in his blog "The cinema is dead" describes very well what shows this series: violence, extreme violence, but emotional, internal, vital. And that violence is often installed on it, a very in place Gabriel Byrne.

When I get behind the screen to see In Treatment, more I look at Paul that patients. At every glance I try to read what their really thinking, what is the performance of their defense mechanisms, which will tell Gina at its meeting on Friday, how it is able to handle (or not) a situation subtly. Paul is truly my therapy. It is the most broken, wounded and in need of all the characters.

In Treatment may unfit for vulnerable hearts, as it is mine. Or it may be just the right number, because more than anything we can see how something seemingly small can be a very large ball. her suffer. Really. I am not referring to the suffering of the tear and benevolent sweet pain, but causes you harshness of their situations, to delve into those parts of ourselves that we hold so hidden anger that can be seen after a nervous fingers, the intimacy that we so often lack and awakens so many fears. And all this, paradoxically, in a small room of a family house with its garden and wooden fences.

Dogs bark often in In Treatment. At times always very significant. These silences nervous or anxious repentant make me wonder many things. But mostly I think of one: the solitude .

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