The Ying and Yang, the two sides of the coin can not exist without the other. Those are our two universes, both of our Olivia and our two Walters. Making it clear the finale Fringe is that it was not to destroy, but to keep both parties alive, as Peter had always wanted. Coexisting or absent, that was the issue. But let
at first. If the finale of the second season gave us knowledge about the alternate universe, in this we see will be ours after the destruction of her twin. We are in 2026. Olivia Dunham is the head of the Fringe Division, Astrid has straight hair, Broyles has a glass eye, Peter looks entries (not wrinkles). And Walter, who seems all a Robinson Crusoe, is in jail after being tried, we assume, for accidentally starting the destruction of the world. Everything is very apocalyptic, with wormholes everywhere and a group terrorrista, in the hands of Walternate (bad bug never dies), is quick to accelerate the catastrophe.
stay in the future (I think it opens a new vein for the creators) leads mainly the hand of Peter and Walter , unlike the first arc of the season, which witnessed the return journey of Olivia and her struggle to maintain and preserve their own identity. The discovery / disclosure of Walter full circle (though maybe something caught with tongs) of time machine: it is he who pulls the strings. Peter finally "met their fate" and joins members of the two worlds to work together to solve their common problems.
Like a book of philosophy is involved, the most psychological of all seasons Fringe have been dismissed with a statement at the height of these 22 chapters: "Peter there." A servant had to stop and go back VideoLan to verify that their English was not rusty and that the translators had not screwed up. And no. Peter has completed its mission. It's over finite . What does this mean and what are the consequences for the fourth-and last-season I guess, is beyond my understanding.
This third installment of Fringe leaves us many things noteworthy. The shift of the series to land much more psychological, the role of Olivia, the characters of Over There, the risks taken in the past chapters (including the animated episode), and intelligence to deal with emotions (loneliness, guilt, loyalty) are the most positive. The workaround for the plot of William Bell and some acceleration in these final chapters, the most negative. But above all, for me this year has been the consolidation of the characters, thanks to the emergence of these particular Other who are citizens of Over There. Never in the previous two seasons were defined as accurately to the players and side. And is that really what makes me love this series. Fringe
farewell to September but not before thanking the fans for keeping it alive:
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