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The Killing: the power of an atmosphere

If I had to choose a quality shared by all series issued by the AMC chain, no doubt choose the achievements of their atmospheres . Began doing with Mad Men , followed Breaking Bad, and continued Rubicon and The Walking Dead . Get it back again with The Killing , with which it enters the "detective drama" with an air of Twin Peaks and European flavor.

is clear that the series of Lynch shares more than one thing: first, the action will take place around the murder of a teenager, Rosie Larsen, but in this case the scenario is not a small town in Washington state but the rainy Seattle (although it is filmed in Canada) and less pleasant places.

also appears that, as in the case of that, The Killing tangle opt for a drama about the investigation, with characters hard, day after day without idealizing. It seems, however, that will be worth the usual extremism David Lynch to explore the psyche of the characters, but to use elements similar to those seen when investigating the death of Laura Palmer, especially in the family of the victim, which I think can (and should) give plenty of game.

But mostly I think The Killing aims to ensure that the atmosphere becomes a character in the plot . I do not know if the bet comes directly from the series that is based, the Danish Forbrydelsen , but what disturbed me most of the first two chapters have been his stage-naked, very raw and dark, and how show us, thanks to a great use of chiaroscuro (light in general); of cool tones; of close-ups, and scenic, among other resources.

the moment is on the right track, because The Killing disturbed from her first scene, not only through its setting but also through the eyes of its protagonist, Mireille Enos, and his narrative formula, very slowly. While it is too early to judge all the characters presented to us in these two episodes, one gets the outstanding: holy atmosphere.